![]() ‘The House Of Dolls’ album coverIt opened with Gorgeous, with a decadent riff that reeked of adolescent hormones and romantic longing. The band’s follow-up House of Dolls (produced by Peter Walsh) would flirt further with the mainstream, and leave a solidly satisfying, catchy collection of Eighties awesomeness. Click here for my exclusive interview with GLJ guitarist James Stevenson He added rock musculature that distinguished them from their more skeletal, austere beginnings. It flirted with dance beats and benefited from the recent addition of guitarist James Stevenson (formerly of Generation X). The Aston twins front and center on the ‘Discover’ album cover.Their first stateside hit was Desire off their album Discover. On early releases the group had a harsh, angular tone punctuated by the Aston brothers ethereal banshee wails. And rather than sullen solitude, their music was more concerned with romance than alienation. The band’s early mystique revolved around its androgynous dual lead singers, who happened to be identical twins Jay and Michael Aston.Īnd while they had emerged in the Goth scene, their wardrobes were drenched in color. The band were touring for their album The House Of Dolls, which proved to be a defining and divisive point in the band’s history.īut first, some background info GLJ were a post-punk group forged in the early 80’s. It’s the second rock show I’ve ever been to ( INXS being the first). I’m at the Arcadia Theatre in Dallas, TX to see Gene Loves Jezebel with openers Flesh For Lulu. Let’s look back at Gene Loves Jezebel’s ‘The House of Dolls’, one of the most addictive albums of the 80’s. They were too glam for goth, and too goth for glam. Lots of critics and also followers moaned that they began to transform from their Gothic music in the direction of far more conventional new wave style? In any case, there have been a bunch of music group that did it the exact same, and for me the good news was definitely GLJ maintained their characteristic sound.Albums Revisited: Gene Loves Jezebel ‘The House of Dolls’ Thoughts that this recording includes the most significant GLJ hit „ Heartache". ![]() I've got it on my rack since 1987 and I've certainly never wearied of listening to it. This album is a genuine alternative rock and so glossy record that truly deserve repeated listening. This particular 10 track gemstone from the 80's sports charming alternative music with the Aston bros' distinct duet voice! It was actually recorded on analogue equipment at Beggars Banquet studio. Generally there will be people that say that the Jezebels were virtually nothing much more than a one-hit wonder, positioning them amidst the dazzling and disregarded Psychedelic Furs, Soft Cell, etc., as well as in the lucrative way, they could be correct, yet in each and every other respect, these experts are definitely incorrect. Now, pair of versions of Gene Loves Jezebel occurred, one led by Jay Aston, the different by Michael, each one looking at the other with a combination of aggravation and animosity. However continuously they summarize the genuine chronicle of Gene Loves Jezebel, an intimate connection that was overworked, and then cracked irreparable. Certainly not the critical account- that extends back to an iron city in South Wales by the end of the 1970s and carries on straight up to this moment. ![]() The saga of Gene Loves Jezebel, the band that delivered an outburst of vibrant tone to the black-and-white combination of 80s Goth, is summarized in those 2 quotes. Using their spidery post-punk tunes and similarly spidery hairstyles (" tarantula tops" as Jay calls them), these guys fit immediately right into this demi-monde, even though the Astons not ever relatively sensed comfy belonging to it. Michael's at that point spouse studied at St Martin's College, and they instantly ended up in the center of a delirious underground activity in which songs crisscrossed with fine art, style as well as flipside culture. They were actually misfits when they transferred to London and assembled Gene Loves Jezebel at the beginning of the 1980s as well. ![]()
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